Concepts, concepts, ideas! Where do they come from? In an answer: EVERYWHERE. The information and current occasions. Our private experiences and people who occur to our friends and family, and the way we course of them. I've never had a hard time developing with concepts for stories. In reality, I in all probability have too a lot of them. Which means I must manage them and, before I spend weeks or months working on considered one of them, validate that a random thought is actually worthy of a narrative.
On this three-part weblog sequence, I'll share with you among the things I do to generate, handle, and validate ideas. Up first: Concept Era.
I think most great concepts are drawn from private experiences and/or experiences of household and friends close to us. This is mainly a mirrored image of the outdated adage, "Write what ." However most of us, frankly, dwell pretty mundane lives. So you sometimes have to take considered one of your personal experiences and then "up the stakes".
Would if, in your private life, you found out that one associate in a married union you understand was having an affair. In and of itself, that is not very fascinating -- happens hundreds of instances a day all the world over. However would if the infidel was having the affair with their significant different's sibling ... or father? After which what if a demise or murder ensued? That gets more interesting.
This is exactly what occurs in quite a lot of films, together with the haunting 1992 movie Injury, Woody Allen's 2005 film Match Level, and the film I swear Woody Allen drew inspiration from when making Match Level, the 1951 film, A Place within the Sun (which itself was adapted from Theodore Dreiser's 1925 novel, An American Tragedy). Watch each Match Point and A Place in the Sun and inform me for those who don't agree!
The purpose right here is that each of us can draw from our personal experiences for lots of ideas. But sometimes these won't be attention-grabbing sufficient, so we'll have to lift the stakes to make the story compelling to an viewers.
A good exercise to do is to write down out loglines for an hour. A logline is a one or two sentence capsule of a story, just like what you may see within the TV listings for a film. Per IMDB.com, the Logline for Match Point is, "At a turning level in his life, a former tennis pro falls for a femme-fatal sort who occurs to be relationship his buddy and shortly-to-be brother-in-law."
When doing this train, you possibly can observe a "Mad-Libs" fashion template the place you simply fill within the blanks. For example --
WHAT IF (fill within the clean)
AND THEN (something sudden happens)
AND THEN (increase the stakes even higher)
What's attention-grabbing about the above template is that it loosely breaks factor into Aristotle's classic three-act story structure.